Electric Ladyland wasn’t the only thing Jimi Hendrix released in 1968. One day in that tumultuous year he left his flat on Brook Street, Mayfair, and strolled down nearby Carnaby Street with a birdcage in his hands. I like to think that he was dressed in a tasselled jacket and flares, his favourite Fender Stratocaster slung across his back. Or perhaps he travelled incognito, in a trenchcoat and dark glasses. Either way, somewhere on that street, the heart of Swinging London at the height of peace and love, he opened the door of the cage and unleashed two bright green birds: Adam and Eve, a breeding pair of ring-necked parakeets.
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